Music of Hannibal masterpostA compilation of all the pieces used in NBC's Hannibal.
Pieces as they appear in chronological order in the show.
Updated weekly after the episode airs.
feel free to delete the following if you want, but leave a link to the complete tracklisting
- The Rite of Spring, “Introduction” - Igor Stravinsky
- Nocturne Op. 32 No. 1 - Frédéric Chopin
- Nocturne Op. 9 No. 2 - Frédéric Chopin
- Piangero la sorte mia (Giulio Cesare in Egitto) - G. F. Handel
- Prelude Op. 28, No 13 - Frédéric Chopin
- Le Veau d’Or (Faust) - Charles Gounod
- Lacrimosa (Requiem March in D minor) - Wolfgang Amadeus Mozart
- Patria oppressa (Macbeth) - Gisueppe Verdi
- Largo (“Winter” - Four Seasons) - Antonio Vivaldi
- Minuet in G major, BWV 114 - J. S. Bach, later attributed to Christian Petzold
- Intermezzo (A Midsummer Night’s Dream) - Felix Mendelssohn
- Goldberg Variations, BWV 988 “Aria” - J. S. Bach
- O Euchari - Hildegard von Bingen
- Sonata for Piano in C minor Op. 13 No. 8 “Pathétique” Adagio cantabile - Ludwig van Beethoven
- Piano Trio in D major, Op. 70, No. 1, “Ghost Trio” II. Largo assai ed espressivo - Ludwig van Beethoven
Chris Sanders’ “Sanders’ Style Surfin’”
Bartek Gawel, CDPR’s art director, shares some insight on the importance of head construction for successful character design.
The secret to a good character concept is its head. Not to brag about the eyes as the mirrors of the soul or the number of emotions a human face can express let’s just get on with it. Because it’s all in the head – believe me.
Any to-be concept artist will have to learn sooner or later how to draw a good face. I decided to take my time and start this little tutorial and share the knowledge, that was gathered by artists and human body experts (scientists to be precise) throughout the ages.
In this episode I’ll write a little bit about the first principal which defines the look and character of the head you are designing. Today I will write about the facial angle.
The most important element you will need while constructing the head is the middle of the ear. This is represented by the red dot on the illustration above.
A line crossing this point and perpendicular to the horizon helps us find the beginning of the neck i.e. the place where the neck meets the chest (point A). Traditional sculptors use a special pendulum to find the correct line. It’s good if you have an aprentice of any kind to hold it for you, while you’re busy with your work.
The models character is determined by the so called facial angle. This concept was used for the first time in the 18th Century by Petrus Camper, a Dutch anthropologist, scientist and sculptor. He introduced a constant head position based upon a line drawn from the middle of the ear (red dot) to the septum (the red line). The second line needed to create the face angle is drawn from the forehead surface with the jaw (yellow line). This angle can have different rays and be even right.
Determining the facial angle allows you to have a base for further head construction and influences the look of the model on an early stage, before you start outlining other elements (e.g. a nose).
Wrist, Hand & Finger Stretching Routine. For those tired artsy hands! When it already hurts to draw (or write), we should stop for a moment and then stretch + rest our hands.
I’m gonna take a break and do this for a moment.
Very good for artists to do regularly. Doing these exercises regularly helps prevent long term issues like arthritis and carpal tunnel.
Also good for anybody who sews, crochets, knits, etc!
A lot of people have messaged me about the 30 Day Challenge list. I hadn’t realized the link on my old post was down, so I’m reposting it now, as well as letting you all know for the next 8 weeks I’ll be posting every Monday with animated illustrations. Hopefully I can brighten up your otherwise dry work week Monday!
UPDATE: Sorry I fixed the list. There was bunch of dummy text in there. It’s all good now
I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>
I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.
Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.
The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.
A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.
Best used for smooth blending, washes, gradients, and smoky atmospheric effects.
Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.
To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!
Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!
Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.
Hope that helps!
hello if you’ve just discovered a new artist but you don’t know which of their songs to listen to, to the best of is a really useful website! you just type in the artist’s name, and a little blurb with info about the band along with their top 10 tracks pops up. ◕‿◕
- It makes you smarter
According to Dr. Matthew Walker of the University of California, napping for as little as one hour resets your short-term memory and helps you learn facts more easily after you wake up.
- Abandon all-nighters
Foregoing sleep by cramming all night reduces your ability to retain information by up to 40%. If you can, mix in a nap somewhere to refresh your hippocampus.
- It doesn’t mean what you think
If you know you have to pull an all-nighter, try a “prophylactic nap.” It’s a short nap in advance of expected sleep deprivation that will help you stay alert for up to 10 hours afterwards.
- You can’t avoid that down period after lunch by not eating
Human bodies naturally go through two phases of deep tiredness, one between 2-4 a.m. and between 1-3 p.m. Skipping lunch won’t help this period of diminished alertness and coordination.
- Pick the right time
After lunch in the early afternoon your body naturally gets tired. This is the best time to take a brief nap, as it’s early enough to not mess with your nighttime sleep.
- Hour naps are great
A 60-minute nap improves alertness for 10 hours, although with naps over 45 minutes you risk what’s known as “sleep inertia,” that groggy feeling that may last for half an hour or more.
- But short naps are best
For healthy young adults, naps as short as 20, 10, or even 2 minutes can be all you need to get the mental benefits of sleep, without risking grogginess.
- Drink coffee first
The way this works is you drink a cup of coffee right before taking your 20-minute or half-hour nap, which is precisely how long caffeine takes to kick in. That way when you wake up, you’re not only refreshed, but ready to go.
- The NASA nap
A little group called NASA discovered that just a 26-minute nap increases performance by 34% and alertness by 54%. Pilots take advantage of NASA naps while planes are on autopilot.
- Can’t sleep? Don’t stress
Even if you can’t fall asleep for a nap, just laying down and resting has benefits. Studies have found resting results in lowered blood pressure, which even some college kids have to worry about if they are genetically predisposed to high blood pressure.
- Napping may save your life
A multi-year Greek study found napping at least three times per week for at least 30 minutes resulted in a 37% lower death rate due to heart problems.
- More nap benefits for the brain
Not only will napping improve your alertness, it will also help your decision-making, creativity, and sensory perception.
- But wait, there’s more
Studies have found napping raises your stamina 11%, increases ability to stay asleep all night by 12%, and lowers the time required to fall asleep by 14%.
- The ultimate nap
According to Dr. Sara Mednick, the best nap occurs when REM sleep is in proportion to slow-wave sleep. Use her patented Take A Nap Nap Wheel to calculate what time of day you can nap to the max.
- Fight the Freshman 15
Research shows that women who sleep five hours at night are 32% more likely to experience major weight gain than those sleeping seven hours. A two-hour nap isn’t feasible for many, but napping is a good way to make up for at least some lost night sleep.
- If it was good enough for them…
Presidents JFK and Bill Clinton used to nap every day to help ease the heavy burden of ruling the free world. Of course, they also had other relaxation methods, but we won’t get into those.
- Do like the Romans do
In ancient Rome, everyone, including children, retreated for a 2 or 3-hour nap after lunch. No doubt this is the reason the Roman empire lasted over 1,000 years
- Don’t wait too long
The latest you want to wake up from a nap is five hours before bedtime, otherwise you risk not being able to fall asleep at night.
- Sugar is not a good substitute for a nap
When we are tired, we instinctively reach for foods with a high glycemic index, but after the initial energy wears off, we’re left more tired than we were before.
- It’s a good way to catch up
If it takes you less than five minutes to fall asleep at night, you are sleep deprived. If you never can seem to get to bed earlier at night, a mid-day nap is a great way to catch up on sleep.
- Underclassmen need more sleep
Freshmen and sophomores who are still in your teens: you need up to 10 hours of sleep to feel rested. So odds are, you are sleep-deprived.
- You’ll have to leave the party sooner
After one school-week of not getting enough sleep, three alcoholic drinks will affect you the same way six would when you are fully rested.
- Don’t drive drowsy
Don’t be afraid to take advantage of an “emergency nap” on the side of the road in your car. Every year, as many as 100,000 traffic fatalities are caused by sleepy people behind the wheel.
- The Einstein Method
If you are concerned about sleeping too long, do what Albert Einstein regularly did: hold a pencil while you’re drifting off, so when you fall asleep, the pencil dropping will wake you up. (We do not guarantee you will wake up with a 180 IQ.)
- Missing sleep is worse at your age
For people ages 18 to 24, sleep deprivation impairs performance more significantly than in other age brackets.
And non-students as well, of course!
(Photo source unknown)
Ty Carter Art-Thoughts on Color, Part 1 & 2; Design, Color and “Value” an Idea.
Thanks! Here are a few demos I’ve posted on workflow, color, values, composition, and story. To see the full text and details along with other tutorials/demos, visit tycarter.com
Feel free to share with your friends or download for personal use! There are many ways to paint and these are my humble thoughts. I hope you enjoy!