Call Me What You Like

I almost died at half the lines in this episode, but PUCK.

SHOWING THE HOT MOM THE PICTURE OF HIS KID. “Wanna see a picture of my baby?”

YOU ARE GOING TO BE AN ADORABLE DOTING FATHER.

wickedgleefan:

sweetsweetblainers:

starship-klaineger:

sleepwalkerindreamersclothing:

buttersmanyparsnips:

dalton-euston:

hahahah yeah that would be awesome, I love his descriptions

can this please happen though

Whoever thought of this is a genius.

(via singformedarling)

I love the world, the world is good, GLEE IS BACK!

What are my emotions doing? 

First off: Puck coming to Shelby’s house, the whole scene with Beth.

I HAVE NEVER CRIED HARDER AT A SCENE IN GLEE, EVER.

EVER.

EVER.

I frickin SOBBED through that.

Two: 

Kurt. 

Your auditions. Both of them. 

Your angry faces.

Your creeping outside of the office.

YOUR EVERYTHING.

CONGRATULATIONS ON IT <3

Three: Burt Hummel is fucking flawless, as always.

“Dude, you’re gay.”

“A friggin horse.”

Be my dad.

Four.

After all of that, nothing could have prepared me for:

BLAINE MOTHERFUCKING ANDERSON.

He goes out there, STEALS that freaking show, makes the song his bitch, and then when Artie asks him to read for Tony.

THAT CONFLICTED LOOK.

Is flawless.

That alone could convince me that he is truly in love with Kurt, if I didn’t know it already.

Because he knows he could have the lead, he could be Tony, in five seconds, if he wanted it.

But that look of conflict.

He doesn’t want to take it away from Kurt.

Even if everyone thinks he could do it better.

And Kurt’s face. I will never forget that look.

Because he knows. And it’s killing him.

He realizes how much Blaine really does love him, I think.

To sum it up, this felt very much like the old Glee of S1 that we know and love.

Glee is at it’s best when it’s a black dramedy, and I LOVE EVERY MOMENT OF IT.

ONE OF BEST EPISODES.